BLACK & WHITE: Be honest, then be right

I woke up, uncertain and lost, to a staccato burst of screams. I lay in bed for a few more seconds, staring into the darkness, and my heartbeat picked up as the screams rose in pitch. I didn’t want to move. I wanted to go back to sleep and pretend I hadn’t heard anything.

Do as the Romans do and stay away from When in Rome

Having endured recent atrocities committed in the rom-com genre (The Proposal, Leap Year) audiences deserve a watchable flick. Unfortunately, When In Rome – which opened in theatres on Friday – is another dreadful dud. Anyone who has seen the trailer or gaudy bumblebee-yellow movie poster already predicted this, but for the well-being of everyone else, it’s worth restating.

FOOD FOR THOUGHT: Mom’s Rice and beans

Last week I went out for dinner with a group of friends and I got a serious case of nostalgia. We went to Delicias Colombianas, a Colombian restaurant on St. Zotique, to wish a friend bon voyage before a long trip to the Middle East. The restaurant was very accommodating for such a large group, the portions were more than generous, and the food was fresh and delicious.

CD REVIEWS: Martha and the Muffins: Delicate

Delicate is Martha and the Muffins’ first album after an 18-year dry spell. The band – considered a top dog in the Canadian New Wave scene during the 1980s – is known for their debut album’s hit single “Echo Beach,” which became an international chart-topper.

CD REVIEWS: Vampire Weekend: Contra

With their new album, Contra, Vampire Weekend had big shoes to fill: their own. The huge popularity and cult following amongst university students has raised expectations to almost unmatchable heights. With their self-titled debut album, Vampire Weekend came out with a unique style of music that was upbeat, cheery, and appealing to virtually everyone under 30.

Provincial government clashes with McGill over MBA tuition rise

The McGill administration’s decision to switch to a self-funded model for its Master of Business Administration program, which would forgo provincial funding by substantially raising tuition, has recently drawn criticism from the provincial government. McGill’s Board of Governors originally approved the switch to a self-funded program at a meeting in July.

MY POINT … AND I DO HAVE ONE: A disingenuous debate

The American health care “debate” has been doomed from the beginning. Rooting their campaign in blatant lies, the American Right came out swinging the moment the massive profits of certain special interests – namely the Medical Insurance/Pharmaceutical Industrial Complex – were put into question.

Players’ Eurydice puts a modern twist on a classic myth

Eurydice, written by Sarah Ruhl and directed by Rachel Paul, modernizes Greek mythology by setting the story of Eurydice in contemporary times. As risky as it sounds, Paul manages to pull it off. According to Greek mythology, Orpheus (played by Marko Djurdjic) has a great musical gift and is known as the “chief among poets and musicians.

LABprojects collaborate on the science of musical fusion

Great things tend to happen when established musicians play with other established musicians. Take Crosby, Stills, Nash and Young and Cream, considered some of the earliest examples of the “supergroup,” or more recent bands like Broken Social Scene and The New Pornographers, whose members almost all had notable solo careers before breaking big together.


In last week’s editorial, you stated that AMUSE – The Association of McGill University Support Employees – left some students “in the dark” by failing to adequately contact all potential voters. Out of respect for the newly accredited members of the bargaining unit and the supporters who spent countless hours contacting the eligible voters, I feel it is necessary to correct some blatantly incorrect facts you stated about the voting procedure.

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