The McGill Tribune

Line Spectra has finally released their first studio album. For the past couple years, you may have noticed this all-girl trio playing at staple venues around Montreal and even a few shows at OAP. These ladies wield their instruments with a fancy, sparkle and a twist.

Since 2004, Beach House has been the leader of the dream-pop scene with slow, simple pop melodies layered over lush soundscapes to create achingly beautiful songs of love and longing. Vocalist Victoria Legrand and guitarist/keyboardist Alex Scally have crafted a winning sound that is completely their own, and with Teen Dream it seems they’ve truly perfected it.

If the African- and Middle Eastern-tinged flavour of Yeasayer’s 2007 debut All Hour Cymbals impressed you, get ready to be transported by their sophomore effort, Odd Blood. Yeasayer leaves the tribal aesthetic behind for an electronic vibe, with distorted vocals, synth, and pounding bass lines.

The Luyas are on cop watch. At least that’s what lead singer/guitarist Jessie Stein says as she attempts to drive and talk to me on the phone at the same time – an illegal activity. Add in the fact that it’s snowing, and I start to get worried that this interview could be hazardously cut short – which would be a tragedy for one of Montreal’s most promising bands, especially one with so much on the horizon.

It’s clear from the opening track of Heart of My Own, the follow-up to her Polaris-nominated debut Oh My Darling, that Basia Bulat isn’t content with her previous success – she’s trying to soar to new heights. As a singer whose music too often gets the “sweet” label (which it undoubtedly is), it’s refreshing to hear her really going for it.

The question of whether music can ever be objectively good or bad has plagued musicians and critics alike for decades. Joey Stylez’s debut album, The Blackstar, has finally answered it. His music is absolutely the worst combination of sound I’ve ever heard, and for me, he’s redefined the concept of bad music.