From Feb. 6 to 9, audiences at the Théâtre Sainte-Catherine Café-Bar were treated to an intrepid rendition of Cyclops, an ancient Greek play by Euripides. This run of Cyclops was the latest edition of a time-honoured theatrical spectacle: The McGill Classics Play. Every year since the 2011 staging of Aeschylus’ Agamemnon, McGill students in the Classical… Keep Reading
My interest in Ariana Grande was piqued by 2018’s Sweetener, a critically-acclaimed jazz-infused love letter to then-beau, comedian Pete Davidson. thank u, next is the antidote to Sweetener, a cryptic dissection of the infamous broken engagement that has been met with similar praise. And yet, it is at this juncture that I must admit my brief love… Keep Reading
On Feb. 5, University of the Streets Café hosted an inclusive discussion about visual art as a tool for community building and its contributions to social justice. The talk was broad in scope and touched on subjects such as art’s commodification, subsequent impacts on gentrification, and the limits of art’s accessibility. Panelists also discussed art’s… Keep Reading
Most people spend January and February huddled up indoors trying to avoid any contact with the frigid, brutal elements. Not Montrealers, though—for three weekends every year, hordes of ravers dressed in 90s ski-jackets and spacesuits brave the winter, fill up Quai Jacques-Cartier, and dance the night away. This year was no exception: Despite bitter cold… Keep Reading
On Feb. 4, Cinema Politica presented a series of documentaries by indigenous filmmakers, including a short animation, as part of Concordia University’s First Voices Week. With Flat Rocks and Lil Hard Knox filmmakers Courtney Montour and Karonhiarokwas Roxann Whitebean present to answer questions after the screening, illuminating the processes and intentions behind their works. Lil Hard Knox (Roxann… Keep Reading
Contemporary indie bands tend to follow a well-worn formula based on monotonic, parched vocals delivering angsty lyrics over a simple, distorted guitar. Fans and critics likely expected little else from Girlpool’s newest release, What Chaos is Imaginary. The band fits all of the criteria—two teens from L.A. who got their start with a collection of… Keep Reading
From Jan. 24 to 26, the Montréal, arts interculturels (MAI) staged Wàsakozi, an opera written and composed by Mich Cota. Cota is an Algonquin-mixed, Two-Spirit artist based in Montreal, and the debut of Wàsakozi was a milestone: It was the first recorded opera performed in Algonquin. ‘Wàsakozi’ means ‘reflection of light’ in Algonquin, and the opera… Keep Reading
Traditionally, a stage reading is a stripped-down version of an author’s work. With no set design and minimal effort put toward costuming or props, performance and plot are at the forefront. Attending a reading allows keen audiences to access an unfinished product. Abandoning notions of polish and perfection relieves creators from the pressures of a… Keep Reading
On Feb. 1, McGill students gathered at the Montreal, arts interculturels (MAI) for the Mental Health Coffee House, a night of poetry, music, and mental health advocacy. The Students’ Society of McGill University (SSMU) and the feminist student publication F WORD organized the coffee house. Midnight Kitchen provided snacks and drinks, highlighting the event’s focus on… Keep Reading
The Arts Undergraduate Theatre Society’s (AUTS) production of Duncan Sheik and Steven Sater’s 2006 musical, Spring Awakening premiered on Jan. 24 at Moyse Hall. Directed by Kyra Church (Concordia BA) and adapted from the 1891 Frank Wedekind play of the same name, Spring Awakening is a coming-of-age tale that follows the lives of young teenagers in late… Keep Reading
