January doesn't have to be all about New Year's Resolutions and turning yourself into a perfect being of health, holiness, and forgiveness. If anything, it's the perfect month for rising from the ashes and taking charge of everyone and everything around you. This month, the editors at the McGill Tribune have compiled their best[Read More…]
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Look Vibrant opened at 8:00 p.m. at Casa del Popolo last Friday, kicking off a show that included later sets by AroarA (which includes Broken Social Scene member Andrew Whiteman) and Montreal psychedelic rock outfit Filthy Haanz. The members of Look Vibrant certainly appreciated the gig, and lead singer Justin Lazarus frequently thanked the modest crowd for attending despite the relatively early set time. The lo-fi noise pop they played sounded great live, with a cleaner feel than their fuzzy cassette release Plateau. One drawback was Lazarus’ self-conscious, falsetto-whine vocals, which lag behind his songwriting. However, the band’s enthusiasm, well-rehearsed guitar shredding, and effective use of an intimate venue atoned for his tone.
In the vast landscape of the indie-folk genre, Young Benjamins would lie at the intersection of better-known acts Born Ruffians and Mumford & Sons. Their repertoire features mostly frenetic foot-stomping tracks, with some laid-back tunes mixed in. Relative newcomers to the music industry, the four-piece Saskatoon group only released their first LP, Less Argue, this past spring. The band has equal gender representation, composed of two men (guitarist and drummer) and two women (bassist and violinist/keyboardist). Though they’re still somewhat raw, their versatility and exciting melodies provide glimpses of the high ceiling Young Benjamins has. The presence of the violin really strengthens their sound, and makes for an interesting dynamic when it interacts with the edgy electric guitar. If you’re looking for a lively show that strikes a balance between dancing and artistic enjoyment, look no farther than Young Benjamins.