Gilbert and Sullivan’s comic opera, The Sorcerer, debuted in 1877 with a bizarre cast of priests, lovers, and sorcerers. This Victorian-era opera about marriage and love potions was not exactly what one would expect from the occasionally club and drug-obsessed—dare I say depraved—city of Montreal. Suffice it to say, when[Read More…]
The McGill Tribune
Published by the SPT, a student society of McGill University
