The Killing of a Sacred Deer opens with Schubert’s grandiose “Stabat Mater” playing over an extreme close-up of a human heart mid-operation, followed by a conversation between two surgeons about wristwatch straps. Within minutes, director Yorgos Lanthimos sets the tone for the film: Darkly eccentric, fearlessly macabre, and meticulously choreographed. However, […]