Arts & Entertainment - page 162

Shutter Island, Martin Scorsese's new psychological thriller, has dominated the box office since its release on February 19. Grossing a mean $40.2 million, it also marks the illustrious director's most successful opening weekend to date. Though not on par with his best films, Shutter Island reflects Scorsese's genius simply by being meticulously put together, well-cast, and generally captivating - a feat that many films currently in theatres have failed to achieve.
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Kevin Smith's supposed comedy, Cop Out, aims to be a big-budget action movie but falls flat with a potentially talented but ultimately disappointing cast. Combine Smith's lackluster directing efforts with a poor script written by Mark and Robb Cullen and mediocre performances by both Bruce Willis and Tracy Morgan, and you have a two-hour long movie that feels more like four, with only a handful of scenes that are laugh-out-loud-worthy.
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Rachel, a new documentary from French-Israeli director Simone Bitton, tells the story of Rachel Corrine, an American activist who was killed while attempting to prevent the bulldozing of a Palestinian home in 2003. To this day Israel denies responsibility for her death, claiming the bulldozer operator's line of sight was obstructed by the mound of dirt that crushed her.
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On Friday, I lost a bet with an A&E editor. Two days later, I was by myself, waiting in a long line of moon-eyed couples at the AMC Forum, ready to review Garry Marshall's newest film, Love, Actually II. Wait, no, that was the working title. I mean Valentine's Day, starring everyone you would expect.
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