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Arts & Entertainment - page 159

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Arts & Entertainment

POP RHETORIC: The movie is, like, always better than the book

I was making small talk with a co-worker this summer when my eyes latched on to the title on the spine of the book she was reading, Pride and Prejudice. "Oh yeah," she explained, "it's this movie with Keira Knightley, and it was pretty romantic so when I saw the book version I thought I'd check it out for summer.
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Arts & Entertainment

Newest Sparks adaptation fails to ignite

Starring Miley Cyrus, Greg Kinnear, and Liam Hemsworth, The Last Song is a too heavy on subplots and a too light on actual content. The casting directors unearthed some hidden gems in supporting actors Bobby Coleman and Carly Chaikin. Coleman plays Cyrus' younger brother and warmed my cold black heart in ways that only a small child can, especially when sharing the screen with his terminally ill father (Kinnear).
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You Say Party! We Say Die! learn how to stay sane

A little over two years ago, the future of You Say Party! We Say Die! was bleak. It was week 14 of a 16-week European tour - an exhausting amount of time for even the most seasoned touring musicians. Fatigue had set in for the Vancouver band, communication had broken down, and everything came to a head when singer Becky Ninkovic attacked drummer Devon Clifford during an argument at a bar in Germany.
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The Runaways is more gritty than girly

The Runaways, directed by Floria Sigismondi, is based on the story of the all-girl punk-rock group of the same name, formed in 1975 and headed by Joan Jett (played by Kristen Stewart) and Cherie Currie (Dakota Fanning). The opening scene is a close-up of Cherie's first drop of hot menstrual blood hitting the even hotter Los Angeles pavement, in a strange way marking both her territory and her entrance into womanhood.
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COULD BE GOOD

October 30- November 1 For those too old to trick-or-treat Thursday: Comedy. Hellavator. New comedy by award-winning playwright Ned Cox about getting stuck in an elevator in which there's no way to go but down. Plan to be amused and afraid at the same time.
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CD REVIEWS: Mobile, The Creepshow, Oasis

Mobile. Tales From the City. Local 514-ers Mobile have just released Tales From the City, their second full-length album. Formally known as Moonraker, Mobile has risen to critical success in the past couple of years with their first album, Tomorrow Starts Today, which helped the band win a Juno Award for New Group of the Year.
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Arts & Entertainment

McGill Drama Festival produces a lively selection of student plays

Presenting student productions for over 10 years, McGill Drama Festival continues the tradition with seven new plays this year. Set in Players' Theatre, the Festival's second week of plays runs from March 23 to the 27th. Each night offers a different collection of two to three short plays written, directed, and produced by McGill students - a perfect sample platter of McGill's theatrical offerings.
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POP RHETORIC: Getting Serious

After seeing the preview for Ben Stiller's new indie-drama Greenberg, the first thing I thought was, "Wow, that looks awesome." The second thing I thought was, "Wait, has Ben Stiller acted in a serious movie before?" In Greenberg, Stiller is an irritable, cynical, and on the verge of a midlife crisis.
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CD REVIEWS: Jimi Hendrix: Valleys of Neptune

Where would Jimi Hendrix fit into today's music scene? Seasoned but pushing into the mainstream like Eric Clapton? Playing Super Bowl halftime shows like Pete Townsend and The Who? The release of Valleys of Neptune, a posthumous follow up to 1968's Electric Ladyland, may convince you that Hendrix was simply too much of a psychedelic, blues-thumping, break-through-the-boundaries-of-your-brain invention to ever escape the "27 Club.
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The Canadian War on Queers tells personal accounts of prejudice

Gary Kinsman and Patrizia Gentile's The Canadian War on Queers: National Security as Sexual Regulation discusses the under-the-radar - and sometimes officially sanctioned - targeting of gays and lesbians as security threats from the 1950s to the 1990s. Written from - and told through - a series of first-hand accounts combined with documents obtained under the Access to Information Act, Kinsman and Gentile discuss the history of queer Canadians in a way that is passionate and personal.
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