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Film and TV - page 28

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Film and TV

FILM: The truth will set you free?

In The Last Kiss, a Hollywood remake of the 2001 Gabriele Mauccino film L'Ultimo Baccio, Zach Braff finds himself almost-30 and on the verge, looking dazedly around in the suspended moment before he walks quietly into baby-and-coupledom for the rest of his life.
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Film and TV

TVMcGill shines a spotlight on student films

With online video clips already a welcome distraction at the library, it's hardly surprising that the Fokus Film Festival's popularity has expanded exponentially in the past four years. The festival, hosted by TVMcGill, showcases the works of film-savvy, creative McGill students and awards prizes to the best films in each category.
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Film and TV

Newest Sparks adaptation fails to ignite

Starring Miley Cyrus, Greg Kinnear, and Liam Hemsworth, The Last Song is a too heavy on subplots and a too light on actual content. The casting directors unearthed some hidden gems in supporting actors Bobby Coleman and Carly Chaikin. Coleman plays Cyrus' younger brother and warmed my cold black heart in ways that only a small child can, especially when sharing the screen with his terminally ill father (Kinnear).
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Film and TV

The Runaways is more gritty than girly

The Runaways, directed by Floria Sigismondi, is based on the story of the all-girl punk-rock group of the same name, formed in 1975 and headed by Joan Jett (played by Kristen Stewart) and Cherie Currie (Dakota Fanning). The opening scene is a close-up of Cherie's first drop of hot menstrual blood hitting the even hotter Los Angeles pavement, in a strange way marking both her territory and her entrance into womanhood.
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Dead wives and daydreams test Leo’s sanity in Shutter Island

Shutter Island, Martin Scorsese's new psychological thriller, has dominated the box office since its release on February 19. Grossing a mean $40.2 million, it also marks the illustrious director's most successful opening weekend to date. Though not on par with his best films, Shutter Island reflects Scorsese's genius simply by being meticulously put together, well-cast, and generally captivating - a feat that many films currently in theatres have failed to achieve.
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Film and TV

Cop Out lives up to its title

Kevin Smith's supposed comedy, Cop Out, aims to be a big-budget action movie but falls flat with a potentially talented but ultimately disappointing cast. Combine Smith's lackluster directing efforts with a poor script written by Mark and Robb Cullen and mediocre performances by both Bruce Willis and Tracy Morgan, and you have a two-hour long movie that feels more like four, with only a handful of scenes that are laugh-out-loud-worthy.
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Far from home and close to danger in the Gaza Strip

Rachel, a new documentary from French-Israeli director Simone Bitton, tells the story of Rachel Corrine, an American activist who was killed while attempting to prevent the bulldozing of a Palestinian home in 2003. To this day Israel denies responsibility for her death, claiming the bulldozer operator's line of sight was obstructed by the mound of dirt that crushed her.
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Horror flop The Wolfman begs for a silver bullet

In cinema, there's always a fine line between the supernatural and the ridiculous, and the best horror films flirt with this boundary without crossing it. Unfortunately, director Joe Johnston's The Wolfman was less than tactful in his approach to the werewolf genre, and the film ends up resembling more of a farce than a truly scary movie.
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