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Music - page 48

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Music

The White Stripes trade stage lights for Northern lights

Jack White is a busy guy. Playing in three successful bands (The White Stripes, The Raconteurs, and The Dead Weather), taking on small roles in feature films, and running a production company in Tennessee doesn't seem to be enough. White claims he likes to make things difficult for himself, so within a single year he signed on for two documentary films; It Might Get Loud was released at the Toronto International Film Festival in 2008, and Emmett Malloy's The White Stripes Under Great White Northern Lights - filmed during the band's tour across Canada in 2007 - premiered there last year.
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CD REVIEWS: Zeus: Say Us

Zeus' debut album Say Us may want to make you skip spring altogether: it's got summer written all over it. Getting their start as Jason Collett's backing band, the men of Zeus have crafted an album of hooks, harmonies, and good ol' fashioned rock. And I mean ol' fashioned when I say it; almost everything from the guitar tones to the aforementioned harmonies have a strong retro vibe that recall the best of the sixties.
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CD REVIEWS: Rogue Wave: Permalight

Rogue Wave's fourth album represents something of a comeback. With the death of bassist Evan Farrell in 2007 and frontman Zach Rogue recovering from a recent partially paralyzing neck injury, the band's efforts on Permalight really show them getting through the storm and back to business.
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CD REVIEWS: Massive Attack: Heligoland

After a seven-year hiatus, Massive Attack's highly anticipated new release Heligoland is a letdown, to say the least. With collaborations from a variety of musicians such as Tunde Adebimpe of TV on the Radio, Guy Garvey of Elbow, and regular Massive Attack contributors Horace Andy and Robert del Naja, fans were looking forward to something special.
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CD REVIEWS: Ellie Goulding: Lights

Ever since listening to her hauntingly beautiful, Imogen Heap-esque cover of Bon Iver's "Wolves," I've been hooked on British singer-songwriter Ellie Goulding and eagerly anticipating her debut LP, Lights. After her first single "Under the Sheets" became an instant hit on British radio, the London it-girl has garnered a massive wave of hype and been labeled one of this year's hottest new artists.
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We Are The City take on the rest of the country

After recently winning Vancouver's first-ever Peak Performance Project, a contest created by radio station 100.5 The PEAK and Music BC to encourage up-and-coming artists based in British Columbia, We Are The City is humbly starting to realize that what lies ahead for them is going to be a huge departure from their beginnings.
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CD REVIEWS: Holly Miranda: The Magician’s Private Library

Holly Miranda is better known as the frontwoman for The Jealous Girlfriends, a Brooklyn-based rock band. Now flying solo, the indie-pop newcomer's full-length debut, The Magician's Private Library, shows that she's got a flavour of her own. Produced by Dave Siteck of TV on the Radio, the album was reportedly recorded primarily between 7 p.
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CD REVIEWS: Rebecca Ramone: The Flood

Rebecca Ramone's debut EP, The Flood, doesn't start with a bang. Instead, the opening track features a repeating blues riff beneath Ramone's delicate-yet-strong voice. The song shifts when the blues riff accelerates, hitting a grungy overdrive with thrashing symbols.
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Vancouver rock band Yukon Blonde has more fun

Alphababy really isn't a respectable name for a rock band, especially if you're a good one. Just ask Yukon Blonde, the Vancouver four-piece who played 300 shows as Alphababy from their formation in 2005 until late 2008. "We used to get, 'Are you guys a kink band?'" laughs guitarist/singer Brandon Scott.
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CD REVIEWS: Jay Malinowski: Bright Lights & Bruises

Jay Malinowski is best known as the singer/lead guitarist for Bedouin Soundclash, but his solo album, Bright Lights & Bruises, shows that he can stand on his own. It conspicuously lacks the reggae feel of Bedouin Soundclash's repertoire, but for non-reggae fans this is all the more reason to give Bright Lights & Bruises a chance.
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